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Perhaps no other field underwent such exclamatory change after World War II as Japan. A traditional island nation before the war, in 1945 the rural area lay in ruins after relentless air raids and the nuclear bombs dropped on Hiroshima and Nagasaki. The American Occupation lasted until 1952 and brought not only American armed forces but also American products and attitudes. Japan was compeer to recover from the wars devastation and modernization and developing technology bleed to such rapid economic growth that Tokyo hosted the Olympics in 1964. In 1969, student protests erupted in Japan and disenchantment with the newfound wealth and development was a common theme in the Seventies. Still vested in its traditions, Japan was transforming into a much modern, to a greater extent Western place. Photography was the perfect medium to capture these post-war tensions. after(prenominal) the want of the war years, the Japanese public was ready to require books and magazines, t he vulgar forms for publishing photography, and exhibitions were commonly held in department stores.

Pre-war photographers returned to the elderly object glass style, but photographers first taking up their cameras positive a new way to document their changing foundation and a new aesthetic philosophy: the individual understructure the genus Lens was important to the photograph. Apres-guerre (French for after war) was adopted into Japanese as apure geru, and apure came to be utilise on its own as an adjective pith cool, new, stylish, and bold. It was solely the right word to describe the new, post-war photography in Japan. Daid? Moriyama. From: Sandra S. Phillips. Daido Moriyama: grade Dog. San Francisco, California: San ! Francisco Museum of Modern Art, 1999, plate 28. The Art make up of Chicago, Ryerson & Burnham Libraries; The Art Institute of ChicagoIf you want to get a full essay, order it on our website: OrderEssay.net

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